The late ‘70s and early ‘80s were a magical time for Roger
Corman’s New World Pictures. The summer
blockbuster was still a new, exploitable beast and no one exploited like
Corman. He knew what people wanted and
he would give it to them cheaper, faster, and trashier. The fun of New World’s rip-offs was that
they were rarely straight copies of popular movies. They seemed straightforward, but actually diverged in weird, wonderful ways creating mad scientist mash-ups like; BATTLE BEYOND THE STARS
(STAR WARS + THE MAGNIFICENT SEVEN + The Waltons), STARCRASH (STAR WARS +
BARBARELLA + Italy), GALAXY OF TERROR (ALIEN + acid trip). Perhaps the sleaziest, cheapest, and most
ridiculous of Corman’s chimeras was FORBIDDEN WORLD (ALIEN + STAR WARS +
softcore porn).
The Capsule:
Intergalactic Troubleshooter and space Lothario, Mike Colby
(Jesse Vint) is sent to Xarbia to help some panicking scientists. It seems they have accidentally created a bloodthirsty mutant organism, as scientist tend to do. Sexy Dr. Glaser (June Chadwick) seems really
glad to see Mike; Dr. Hauser (Linden Chiles) and sweaty security chief Richards
(Scott Paulin) less so. While Mike gets
better acquainted with the lady doctor, Subject 20, the mutant in question, grows
larger and starts taking out the more dim members of the compound. Conflict builds between Hauser, who wants to
protect his deadly wonder of science, and Mike who wants not to be eaten. Rapidly gaining intelligence, Subject 20 has
a plan of its own that no one will like.
Directed by Allan Holzman, FORBIDDEN WORLD is not to be
confused with FORBIDDEN PLANET, though that was obviously Corman’s intent,
because the title makes no sense, otherwise.
The only thing forbidden on this world is common sense. It is also known as MUTANT, which is more
appropriate since it is about a mutant, but should not to be confused with
MUTANT from 1984, which stars Wings Hauser and is about zombies.
The movie slams out of the gate with a dizzying open that ambitiously
rips off ALIEN, 2001, and STAR WARS all at the same time. Mike is awakened from hypersleep by his trusty
robot sidekick, SAM-104 (Don Olivera)—who sounds and looks like an eleven
year-old boy in a homemade stormtrooper costume—to find his ship is under
attack by, um, pirates? It’s hard to discern
because like all Corman’s sci-fi movies of that period, it repurposes the space
battle scenes from BATTLE BEYOND THE STARS (that footage cost a ton of money,
damn it). It cuts from unrelated
spaceships blasting lasers to Mike and SAM pushing buttons on a set while a
view screen—which is behind them—shows random explosions. Some of the explosion happen on the surface
of a planet, so maybe it’s a screensaver.
Once we get to the forbidden planet world of Xarbia,
the mood abruptly switches tracks from sci-fi action to sci-fi porn. Studly Mike is greeted—and eye fucked—by Dr.
Glaser, slinking around in her low-cut jumpsuit. It is so close to parody that I’m surprised
they didn’t make Mike a space-pizza delivery boy rather than a
troubleshooter. Seriously, what kind of deep
space science facility has a sauna? When
Mike stumbles in on clothing averse Tracy (Dawn Dunlap), her reaction is
predictable. “How dare you? Get
out! Wait, since you’re already here, we
might as well have sex.”
Paraphrasing, but not by much.
And this is after he has already bedded Dr. Glaser.
The most egregiously porn-set scene comes after a traumatic
death of one of the stupid, stupid crew members. Dr. Glaser comforts the distraught Tracy in
the way all professional colleagues do, by giving her a backrub as they both
stand naked in the sauna. This is only a
guess, but I’d bet that was a script note from Roger. “Heavy exposition scene. Recommend boobs.”
Not everyone lusts after Troubleshooter Mike, some just
resent him. Head scientist Dr. Hauser is
ruffled to find he is no longer the cock of the walk as far as eligible space
bachelors go. Richards, the security
chief, is understandably grumpy since the monster got his girlfriend Annie just
before Mike arrives. Of course, the twitchy
perv blows all inherent sympathy by watching Mike and Dr. Glazer go at it on
the security monitor. The monster might
have done Annie a favor in that situation.
The facility roster isn’t exclusively horn-dogs. Engineer Beale (Ray Oliver) is happy to just chill
and play his space flute. Then there’s obsessive
Dr. Timbergen (Fox Harris, the loon in the radioactive Chevy Malibu from REPO
MAN), who has no time for hygiene, much less love. He comes to lunch still wearing his
blood-stained lab coat and scoops up a biological sample with his fingers. If this were a cop movie, he would be the
coroner who does an autopsy while eating a sandwich.
Of course, the one thing the residents of this interstellar
Club Med lack more than inhibitions is any hint of self-preservation. When Mike arrives, the scientists
nonchalantly walk him through a lab literally dripping with blood and test
animal guts to show him Subject 20, which is now cocooned in a
plastic, completely unsecured incubator.
After explaining how dangerous it is, everyone leaves it in the care of
the janitor, ironically named Jimmy Swift (Michael Bowen). Swift manages to do
one better than ALIEN’s Kane by sticking his head directly underneath the
cocoon as it undulates and leaks goo.
Cut to security footage of Swift flailing around with a giant black
loogie dissolving his face, smashing into every piece of glass in the lab and
spraying blood onto the camera, which no one is paying any attention to.
I enjoy how Mike, who "does not know a gene from
a jelly bean” is belittled by the scientists for wanting to destroy the
creature. Dr. Hauser is adamant about protecting their scientific accomplishment, even though it is actively killing his
co-workers, and defends his position until the end. His end, at least, which isn’t long. Dr. Glaser is keen on communicating with it,
hoping to use a computer link to ask it questions like, “Why do you enjoy
killing humans so much?” and “Is there any chance we can persuade you to not
eat us?” Her efforts are rewarded by
being shish kabobbed on a mutant tentacle.
Of course, the scientists' most shortsighted endeavor
was creating the mutant in the first place.
It could less be described as an accident than as a thoroughly
intentional, highly complicated experiment in mass suicide. First, they develop a fast replicating virus that
instantly mutates any life form it touches, then for kicks, they spice it up with human
DNA, inject it into a fertilized egg, and implant it—completely
voluntarily—into one of the scientists. Who
could possibly have foreseen any complications? This group would reject Wile E. Coyote as a
member for being too risk averse.
The fully grown Subject 20 is an imposing ALIEN knock-off,
or it would be, if it was anything more than a completely immobile plastic
statue. Early on, it has two modes of
attack, sitting completely still and waiting for someone to lean close to its
mouth, or getting shoved off something by the film crew to simulate motion. Later, it develops spiky tentacles and the
ability to open its mouth, making it more dangerous. Plus, it provides the opportunity to use a POV
shot from inside its chomping jaws. Having
eyes inside your mouth seems disadvantageous, but the mutant makes it work.
I should note that, according to the stories, the substance invented
for the mutant’s acid blood actually was caustic to flesh, making the prop more
dangerous in real life than on the screen.
As I mentioned in my reviews of GALAXY OF TERROR and
HUMANOIDS FROM THE DEEP, New World was where a young Jim Cameron spent his
formative years, working in production and art design for their sci-fi films
before becoming the director of the illustrious PIRANHA II: THE SPAWNING. Even as trashy and ridiculous as these movies
are, it’s fun to catch all the quick shots and setups that made their way into
Cameron’s undisputed masterpiece, ALIENS. For instance, Mike is unable to use
his laser in the mutant’s lair because it has coiled around the life support
system, which echoes the Colonial Marines having to sling their heavy weapons
in the xenomorph nest for fear of hitting the reactor’s coolant system. And SAM the robot’s being ripped in half by
the end stage mutant echoes Bishop’s fate at the hands of the Alien Queen. I’m sure these were just subconscious
inspirations, I don’t recall ALIENS having a space sauna. Not in the final draft, anyway.
The golden days of New World are long gone, as are its cheap, crazy mashup B movies. It’s about time someone got those going again. Who wouldn’t want to see CAPTAIN AMERICA + A QUIET PLACE + 50 SHADES OF GREY? On second thought.
The golden days of New World are long gone, as are its cheap, crazy mashup B movies. It’s about time someone got those going again. Who wouldn’t want to see CAPTAIN AMERICA + A QUIET PLACE + 50 SHADES OF GREY? On second thought.
C Chaka
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